Archive for September, 2006

. I Speak of the Pupitous of Love . When I was a …

September 15, 2006

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I Speak of the
Pupitous of Love
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When I was a kid, I always had Shetland Sheepdogs or Shelties (also known as miniature collies). There were three and I named them Socrates, Maxwell, and Joshua. Soc and Max passed through quickly. I forget the particulars, though I remember that Max got very sick. Josh was with me forever.

I grew up in a very regimented household. My father was not a drill sergeant–it was worse than that. My father was a scoutmaster. He had a merit badge psyche that he wore on his sleeve.

By house rules, therefore, if we owned a dog, that dog would go to obedience school and compete in dog shows. In fact, the whole thing became quite an obsession for my father. A commercial insurance underwriter with a suburban house in close proximity to New Jersey’s horse country, Dad was somewhat ambitious socially. Horses being out of the question, the dog show circuit seemed like a kind of entrée to him, and he locked in.

My first memory of Joshua was of putting him through his paces in the back yard. I can still see the rows of pinewood kneelers we built to simulate the kind of long jump apparatus used at dog shows. We had a wall for him to jump that could be raised by sliding 8 inch wide pine boards down the stanchions that held the thing up. We conditioned Josh, and he did well. We molded that pliant puppy into the dog my father wanted him to be.

Then something happened that my father could not control. Josh refused to stop at miniature. He grew to within actual collie size-range, which everyone said would knock Josh out in the stand-and-look-pretty-while-the-judge-yanks-your-hind-quarters round. We soldiered on, of course. Locked-in is locked-in.

I vaguely remember my first and only dog show. According to the photographic documentation, I was wearing dark colored clam diggers with white piping and a white shirt and black sneakers. The judge was a very pretty lady who looked to me like a school teacher–as a Catholic School student, my only exposure to secular school teachers was on television, so to me, school teachers were very pretty ladies. She ran us through the drill–the jumps, the running. The stopping and sitting and coming when called. Finally, I was told to go stand with the others and their dogs in a line. The judge walked up and down the row of dogs and kids with a stern, discerning look on her pretty face–I remember being the youngest kid by far, this being typical of the kind of situation my father would thrust me into. I didn’t know that the judge was in the process of making the big decision until she walked briskly up to Joshua and handed us the Blue Ribbon!

I was whisked into the winner’s circle, comprehending things on about the same level that my dog did. They photographed us, and the photo to this day is framed on my mother’s dresser. The day had started badly–Josh had been booted from the pretty-boy main event because of his size. I had shown him in a kind of back lot obedience attraction. I remember my father being rather pissed. I also remember the very serious look on the judge’s face when she awarded my dog and posed with us–Josh really did nail all the events–and the big smile on my father’s face driving home in the blue Impala. Our boy had kicked a lot of pretty-boy ass on obedience.

Dad put Josh in one more show, in the middle of which the dog simply laid down. Dad kept calling, “Josh, come!” No Boy Scout would have disobeyed him, but Josh was wasn’t having it. He had laid his hammer down. The judge walked over to the old man and said something like, “let’s give this animal a break, pal.” This ended Josh’s show career, and it brought down the curtain on yet another of my father’s country club dreams. From then on in, I enjoyed Josh as a pet rather than as a platoon mate. He was, as dogs should be, a boy’s first love. It no longer mattered that he was a lummox by Sheltie standards. I loved him more for that.

Obedient, cheerful and thrifty,
Vanx

Miles Davis & John Coltrane- SO WHAT

September 12, 2006

Miles Davis & John Coltrane- SO WHAT

Andrey Tamarchenko, Deliverance,…

September 11, 2006


Andrey Tamarchenko, Deliverance, oil on canvas, 2001

. Two . On September 11, 2001, Jenni…

September 10, 2006

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Two
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On September 11, 2001, Jennifer Wong and Carmen Milagros Rodriguez were among those who died in the attacks on the World Trade Center. Jennifer, who grew up in New York City and lived in Whitestone, NY, worked at client services in the risk management division of Marsh & McLennan. Carmen, who lived in Freehold, NJ, was employed by Aon Corporation.

I was given their names by a group coordinating a blogger’s tribute to the vicitms of the attacks on New York and Washington. Though I didn’t know them, I was able to learn about them from testimonials and tributes left by friends and family on the Web. These are what I concentrated on–I tried to convey what they have spoken to me in my poems for Jennifer and Carmen. I tried to convey the voices of others distinctly as I heard them, and hope, as such, to have done so without presumption but with reverence.

The New Constellation
(For Jennifer Wong)

A daughter,
Not only the first
But the first of a new congregation,
Crossing miles into this grand
Confluence,
This utterly new faith–
These gifts to you,
More than cherished.

How easy to claim
That your smile
Is the new constellation.

You were the paragon
The exemplar—the
leader in
Child’s play
And quiet mentor
In school,
Hardest working, yet most giving.


Now we walk withered streets
Under an ominous sky.
Losing your smile we
Remember your prayer—

“Allow me not to be consumed
By the idols of this world,
Its bleak enticements,
The backward economics
Of its heartless machine.
Allow me to know its
Beautiful soul
In quietness.”

This prayer was your path,
The light you drew forth
From the embers carried so far,
This is the light you have shone
Beyond your church
And into the city.

How easy to claim
That your heart
Beats in ours,
Though our withered arms ache
And our tired eyes strain
To see you again,
To hold you amidst
The rush of the city.

______

Dear Carmen
(For Carmen Milagros Rodriguez)

We have responsibilities now
To witness and remember
To dwell upon the sacrament of life
The flesh we share
The spirit that cleaves to the spirit

“I wanted to say
That our thoughts and prayers
Have been with you.
May God bless you and your family.
You’re now one of God’s angels.
Watch over your family
…always”

We have responsibilities
Assigned to us in your name
To channel anger into prayer
And seat love in highest tower
To trust the host of spirits
And on this be resolute

“Tomorrow marks the second year
Anniversary of your tragedy,
But to me, it feels like just yesterday
We lost you.

You have been on our minds
And in our prayers
From day one.

Ralph and I love you very much,
And Justin looks more like you as each day goes by.
Millie,

Rest and know
That you are in a far better place
Than all of us right now.
You will forever be in my prayers.”

(The second verse of Dear Carmen is a tribute left to Carmen by Ricardo Rodriquez on a CNN website. The last three verses were signed “Love, Wilma” at a site run by American Liberty Partnership)
_______________________
The statue at the top is called The Immigrants. It is in Battery Park, a quarter mile from Ground Zero. The figures used to be looking in awe at the World Trade Center.

These poems are posted as part of the 2,996 Project

. View of Ground Zero From the Winter Garden . …

September 9, 2006

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View of Ground Zero
From the Winter Garden
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Photo RM-9/8/06

. Random Access Memory . 1) One night during the w…

September 6, 2006

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Random Access Memory
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1) One night during the week before September 11, 2001, my daughter Emily and I were watching a DVD of West Side Story. The movie begins with a panoramic aerial shot of lower Manhattan in the 1960s—pre World Trade Center. I made a point of telling Emily that that is what New York looked like when I was a kid. I was perhaps a little over-enthusiastic about making my point. I quizzed her on whether she noticed anything significant missing from the skyline as she knew it. I don’t remember if she answered.

2) I remember reading about the Massoud assassination in Afghanistan over that weekend and thinking that this was significant and that I should be more aware of what’s going on in Afghanistan–that I should pay attention to this Taliban group that Massoud had been fighting.

3) On the night of September 10, I started painting a vanitas still life modeled after a Cezanne with a skull, two bottles, a bible, and a bouquet of roses wrapped in a white cloth and laying on its side. I was in my new “studio” in the basement of the house we closed on exactly one month earlier.

4) The next morning, I left the house and picked up my New York Times in the driveway. It was primary election day for Mayor in New York, and there was a picture on the front page of a candidate (was it Mark Green?) meeting with a group of Hasidic rabbis. It reminded me of my all-time-favorite front page Times photo—of mayoral candidate Rudolph Giuliani meeting with the Bobover Hasidim in 1993. It’s a black and white photograph—the Times had yet to introduce color–in which Giuliani is wearing a yarmulke and surrounded by big hats and beards. He is shaking hands with a gesticulating Rebbe, the two of them seated at a table. The photo looks staged by a 17th Century Dutch painter. Or by Leonardo da Vinci.

5) I remember thinking that the only company whose stock seemed to be doing well was Krispy Kreme Doughnuts and hearing a persistent plane engine where there shouldn’t be airplanes as I scurried past the Krispy Kreme in WTC Building 5 just before stepping off the plaza and crossing Church Street.

WTC : I, II, III, IV, V, VI, VII

. Photos of the Wedding Of Hassan Fattah . I fou…

September 5, 2006

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Photos of the Wedding
Of Hassan Fattah

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I found them!

Earlier this year I ran a series on my trip to Istanbul, Turkey, in July 2004 to attend the wedding of my friend Hassan Fattah. Here is a table of contents for the series. I illustrated it mostly with photos grabbed off the web because I’d misplaced all but two of the photographs I’d taken there. Well, this weekend I found my photographs in a really strange place. On my desk. Right on top of it.

Anyway, here are the photos and stretches from the series where they might have appeared.

From Part Four: “Your wedding guest takes in the sights around Sultanahmet”:

~[The man offering a free tour of the Blue Mosque] was well dressed and polite. I was suspicious, of course, and non-committal. But he seemed quite harmless, and we were in a crowded tourist area in the middle of the morning, so I didn’t demand that he buzz off. In fact, I got a marvelous tour until we reached the Blue Mosque and he tried to get me to buy a carpet from his uncle. He stopped the polite routine when I demurred.

~The Blue Mosque was built between 1609 and 1616 in an attempt on the part of Sultan Ahmet I, for whom the neighborhood is named, to take on the Haghia Sofia architecturally

~I went back to the mall and sketched the Haghia Sophia. Surrounded by retrofit minarets, it has a pinkish-orange color that reminded me of old Spanish churches I’ve seen in Florida and California. All around the mall, The famous juice vendors in their striped panaloons and fezzes stopped to pour cherry juice from the elaborate vessels strapped to their backs. People sold wooden flutes and recorders beside the bar-b-qued corn-on-the cob carts.

From Part Five: “A day at the bazaar, the wedding ceremony, and a night on the Bosphorus”:

~The boat set sail at twilight on a beautiful, clear blue evening. On the top deck was a bar and dance floor with a DJ–we danced to Iraqi folk music, which is very big on drums. To me it sounded generally like Arab folk music, but Hassan straightened me out. It was unmistakably Iraqi, he said—“It’s all about the rhythm, Rikki!” Indeed. Flailing arms clapped as the dancers circled Hassan and Layla. Ululations rose in wedding celebration: Loo-loo-loo-loo-loo-loo-loo!

~All along the route were ornate mosques, monuments, a castle, and modern buildings on one side, and smaller buildings, piled pueblo style with red roofs in some places, on the other side. That other side was Asia (and most of Turkey). To this day, I’ve yet to set foot in Asia.The dinner cruise was fantastic. Hassan beamed, as did Layla. The weather was perfect, and the company was brilliant: A Spanish soap opera star. Stravinsky and Bacall look-alikes. Omar, bald and swinging the ladies. Busses took us back to the Swissotel and from there I took a cab back to Taksim–but not until I got conflicting information from Ali and Mohammad about where to go for the reception the next night. I went to bed exhausted, with the Iraqi folk drums beating pleasantly inside me as I fell–(I distinctly remember smiling)–asleep.

From Part Seven: “The Last Day in Country”:

~Along the way I passed, or was passed by, men laboring under large boxes and packages tied to their backs, the traditional porters that have moved heavy goods up and down the Galata hill for centuries. Nowadays, the boxes say things like “Moog” and “Frigidaire.” There was also a boy with a wet towel coiled on top of his head selling oysters to people in the passenger seats of cars. He perfectly embodied that balance of new and old, “European” and “Muslim World.” Dressed like your average Game Boy player in the back of a minivan in Columbus Ohio, he worked hard in the oyster trade in Beyoglu, a trade as old as the Galata hill. The towel turban didn’t come off as dress-up fun. It was a method of staying cool.

~When I climbed back to the Galata Tower I went in and found it packed with sightseers on their way to the restaurant and the observation level at the top. If you have been following my accounts of the trip, you’ve noticed that there are lots of photos, none taken by me. Well, I took plenty of photos. Where the hell are they? That’s what I’d like to know. I’ll find them next week, of course, because it will be a week after I could have made a lot of use of them. That afternoon I photographed Sultanahmet, Beyoglu, and Asia from the observation deck—views of the city form the watchtower that defended Constantinople/Istanbul through the centuries. There were clouds buffeting the dun-colored buildings and earth-orange mansard rooftops. There were freighters, cruise ships, and skiffs on the Bosphorous and Golden Horn and the little island with the lighthouse. Smoke and cranes. A rocket field of minarets, from which noon payers rose in cacophonous harmony. At a souvenir shop in the base of the tower, I bought a leather bracelet with a couple of maroon beads that took a year to fall off my wrist.

~Omar, in a lime green Nehru jacket, danced exotically with the ladies lined up for the honor as “Lauren Bacall” smoked on the sidelines. I sat down with Hassan’s cousin from Baghdad, whom I’d met at the baths. “I will miss you very much,” he said. His limited grasp on English caused him to exaggerate. “You are my best friend.” [Omar's lime green jacket apparently came off by the time I took this photo--ed~,:^) ]

. Summer’s Over Now . Well, we t…

September 4, 2006

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Summer’s Over Now
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Well, we took you into the summer with a Donald Fagen song, so we’ll take you out the same way. The summer had it’s ups and downs in my little blog-o-sphere, but somehow my blog buddies and I pulled through. Now, as we face up to rentrée in these end-times, we’ll try to accentuate the positive. Tell ‘m about it Don–

The Great Pagoda of Fun
by Donald Fagan
(Click on photos to visit some summer Verb-Ops posts and those of a small, but representative, group of friends)

The stars are bright tonight
The air is sweet

Though summer’s over now
There’s a strange n
ew music in the street
You and I
Know the wor
ld can’t be like this
It’s our love that makes it shine
Girl-whatever trouble waits outside these walls
W
e’re safe inside this house of light
We make up our own storyline.

Around the neighborhood
They stare and grin
As if they live their lives
Just to help maintain the state we’re in
But when we fight
Then those
hungry wolves close in
We’re one thoughtless word away


From poison skies
And severed heads
And pain and lies
So follow me
I’ll hold you tight

And we’ll build a life together
In the Great Pagoda of Fun

This magic soon will fade
Without a doubt
We’ll have to work my love
Just to keep
the flame from going out
Cause if we fail
Then these walls will fall away
And we’ll find we’re in the realm

Of psycho-moms
And dying stars
And dirty bombs
Please follow me
And hold me tight
Yes, we’ll build a world together
In the Great Pagoda of Fun



Have a glowing Autumn,
Vanx

This ends the New Orleans Sonnet Cycle–Best read …

September 3, 2006

This ends the New Orleans Sonnet Cycle–Best read in order, starting from August 29th. Thanks, Vanx
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Café Du Monde
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An apparition at Café Du Monde~
It’s morning in the Mississippi light.
Across the town the shadows kneel at dawn,
And southern sugar staggers from the night.

Her coffee black, her stare a quiet song
That harmonizes, strains to meet the souls
Of New Orleans , the other ghosts along
The fallen line. The river only rolls,

And Pontchartrain plays gravity. Alone,
Her presence is a Storyville, she knows
The slavers, jazzers, and the trumpet bones
Who sauntered here and, moanin’ low

Have scooped the fives and singles from the hat
They laid on Dauphin. That, Modine, is that.

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Café Du Monde Oil on canvas

. Shrove . All catfish-kis…

September 2, 2006

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Shrove
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All catfish-kisses blue, she calls them in,
Declares a tenant/tourist jamboree~
The mockin’ bird, a touch of mask on skin,
The river bending south beneath the trees.

A twilight over roofs in blue distress
Gives way to second lines and tambourines,
To glitter and the shout, the party dress,
The voodoo wings, the flesh and sweet praline Enticement, kissing drunk on St. Anne’s Street.

We’re back in business, Jim, it’s music time!
Impersonation Elvis, no defeat~
The grid is coming back like Frankenstein!

It’s shirts for beads and ta-tas to the air,
And curates burning palms on Jackson Square.
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Self Portrait at Mardi Gras with Latter Day Elvis
Oil on canvis